Tanzanian music sensation Zuchu has finally confirmed that she has received the full balance of her payment for her performance at the 2024 African Nations Championship (CHAN) final, ending speculation and tension surrounding the matter.
The Sukari hitmaker took to her Instagram Stories on Monday to update her fans, writing: “Want to thank my good people who made sure our message got across to the agency involved with CHAN.I have received my balance thank you.We move.”
This short but statement marked a dramatic shift from her earlier posts in which she had publicly accused organizers and their contracted agency of delaying her fees.
Zuchu performed during the CHAN closing ceremony at Nairobi’s Kasarani Stadium on August 30, 2025, in what was billed as one of the highlights of the continental football showcase. While her performance dazzled fans across the continent, the aftermath was overshadowed by a dispute over payments.
According to her management, Zuchu was supposed to receive her balance immediately after the show, as stipulated in her contract. However, weeks passed without the money being reflected in her accounts.
The singer’s frustration spilled into the public sphere when she shared screenshots and messages suggesting that while some “proof of payments” had been presented, they were unverifiable. She called out LEAP Creative Agency, the firm contracted to handle performance logistics, and indirectly tagged the Confederation of African Football (CAF) for failing to intervene.
The payment row sparked a larger conversation about how artists are treated during major sporting events. CHAN, organized under CAF’s oversight, is one of Africa’s premier football competitions, and performances during its finals are seen as career-defining moments for artists.
However, the delays highlighted the vulnerabilities musicians face when third-party agencies handle their compensation. Industry stakeholders noted that the controversy underscored the need for stricter contracts, timely accountability, and better communication between artists, organizers, and intermediaries.
Throughout the ordeal, Zuchu maintained a delicate balance between expressing her grievances and preserving professionalism. While visibly frustrated, she never disrespected fans or downplayed the significance of the CHAN stage. Instead, she framed her fight as one about fairness.
This resolution may set an important precedent for East African artists eyeing continental events. Many are now calling for CAF and partner agencies to introduce clearer mechanisms to guarantee artist payments before or immediately after performances.