The word “mommed” carries a depth of meaning that extends far beyond a simple familial title. It speaks of nurturing, of guidance, and of a familiar, comforting presence that shapes our earliest understanding of the world.
This “momming” often extended to the very fabric of our lives, including the clothes we wore and the style our mothers embodied.
Their fashion, though perhaps not overtly “tailored” in the haute couture glamour of events like the Met Gala, held its own significance, laying a foundational layer for the appreciation of intentional black style we admire today.
Life during the 1990s was deeply rooted in community and the rhythms of daily life. Our mothers were the mainstay of our families, their days often a blend of agricultural work, tending to the home, and participating in the vibrant tapestry of local markets and community gatherings.
Their clothing choices were a direct reflection of these multifaceted roles. The versatile kanga and kitenge were not mere pieces of fabric; they were essential tools, ingeniously adapted for a myriad of purposes.
A kanga could become a baby carrier, a head covering against the scorching sun, or a makeshift apron during meal preparation. A kitenge, with its bold patterns and vibrant hues, was often fashioned into practical yet dignified attire for market days or Sunday church services.
The way our mothers utilized these fabrics was an early form of personal expression and a subtle nod to “shaping” their appearance.
The precise knot of a kanga, the careful draping over the shoulders, the thoughtful selection of coordinating pieces – these were small acts of sartorial intentionality.
They understood the power of presentation, even within the constraints of everyday life.
Their choices communicated not just practicality but also a quiet sense of pride and cultural identity.
The proverbs often woven into the fabric of kangas added another layer of meaning, turning a simple garment into a wearable form of communication and cultural storytelling – a foundational element of Black style that emphasizes narrative and heritage.
While the concept of bespoke tailoring might have been beyond the reach of many for everyday wear, the role of the local tailor within the community was indispensable. These skilled artisans were the unsung heroes of our local fashion landscape.
Our mothers would often invest in lengths of kitenge, carefully selecting patterns that resonated with their personal taste or held cultural significance.
These fabrics would then be entrusted to the local tailor to be transformed into dresses, skirts, or blouses, often with specific instructions regarding fit and style.
A slightly higher neckline for modesty, a more fitted waist for comfort – these were the personalized touches, the early forms of “tailoring” that ensured the garments not only served their purpose but also reflected the wearer’s individual preferences.
The idea of “super style” wasn’t about ostentatious displays of wealth or adherence to fleeting international trends. Instead, it was deeply intertwined with the values of care, resourcefulness, and a quiet dignity.
A meticulously clean garment, a carefully mended tear, a neatly pressed blouse – these were the hallmarks of a well-presented individual.
Our mothers instilled in us the importance of taking pride in our appearance, regardless of our economic circumstances. This emphasis on care and presentation is a fundamental aspect of Black style, often rooted in a history of making the most of limited resources and expressing self-respect through one’s attire.
Furthermore, the vibrant colors and bold patterns that characterized the kangas and kitenges were themselves a powerful form of “super style.” These weren’t just random choices; they often held symbolic meaning, reflecting cultural affiliations, personal preferences, or even significant life events.
This intentionality in selecting and wearing these expressive textiles highlights the deep connection between clothing and identity within Black cultures – a connection that continues to inform and enrich contemporary Black fashion.
Looking back, the seemingly simple yet purposeful style of our mothers laid a crucial foundation for our understanding of personal presentation and the power of clothing as a form of expression.
The lessons learned from their resourcefulness, their practical approach to “shaping” their everyday wear through careful selection and local tailoring, and their inherent sense of pride in their appearance have undoubtedly shaped the fashion sensibilities of subsequent generations within our community.
As the global stage celebrates the intricate artistry and deliberate intentionality of “Superfine: Tailoring Black Style,” let us not overlook the foundational contributions of our mothers.
Their “mommed” and carefully considered style, born from the realities of their lives and imbued with a deep sense of cultural pride, was a vital early chapter in the ongoing story of Black fashion. Their legacy reminds us that true style often originates not from fleeting trends but from the heart, shaped by necessity, and worn with dignity.
Their enduring influence continues to weave its way into the rich and dynamic tapestry of Kenyan fashion, a testament to their strength, resilience, and the timeless elegance of a mother’s touch.
